bimas is a perfect proof that fresh and highly effective club music doesnt need much more than a free, creative approach and a good sense for igniting grooves. his desolat x debut comes strong with a versatile three-tracker, consisting of the rough-edged primetime tool never say goodbye, the charming groover post the music - both highlights in loco dice sets of the past months - as well as the tribalistic pain of our life. ex-phonica member hector, who caused some serious euphoria on house floors worldwide with his latest productions on saved, mobilee, nrk, tsuba and 2020vision, rounds the ep with a remix, stripping down pain of our life and giving it a moody and hypnotic outfit.

first up is 92, a straight up jacking deep house number with, as the title suggests, a retro flavour. the deep repetitive pads are jacked up with amen break style drums that were used so widely in electronic music back in the 90s. some quirky synth lines and vocal licks here and there give the track its touch of soul and then a fat bass line to bring in the bottom end. high quality simple yet effective house music...

with surprise cut on center ... after the success of the first release, tanstaafl returns for their second wax adventure, this time with the musical renegade dj october at the helm. october has entered a new phase of production for the tanstaafl series and has focused himself firmly on a reduced, stripped and effective formula for the floor. his productions are heavy, smoked out narcoleptic dub infused journeys, and his latest 12 offers more or less of the same opaque vibe but with his sights firmly set on the floor, with one foot in the past and the other in the future - drawing from his usual detroit, nyc and chicago influences. so we kick off 2012 with a future classic, singularity jump, which douses you in synthesized saxophone hooks, chopped vocal samples and a meaty juno hip-house inspired bass-line.planet of minds is more of a inner space affair very much inspired by acid and dub. successfully combining the two, october injects more of an airy feel into the mix and delivers a moody cosmic acid jam that will not fail your dancing feet or tripped-out mind. definitely one for the later hours.this is going to be an anthem, hands down, so get it before its gone for good.

supported by: loco dice, luciano, richie hawtin, seth troxler, m.a.n.d.y., joris voorn, hernan cattaneo, satoshi tomiie, nick curly, reboot, audiofly, tania vulcano, robert owens, matthias meyer, trickski a.m.m
the soulfooled crew once again show their talent in bringing in hot newtalent to their roster and are proud to welcome mexicans balcazar & sordo. first heard on dirt crew records and coming up with other releases on soulclaps no.19 music and leftroom, >these guys are that close to writing a huge hit< (maceo plex). >dont ask< shows their quality productions once again. a brilliantgroove, combined with vocals from dana bergquist, will definitely make itto your head and stay there. on the remix duty, there is none other than italian nico lahs (ovum, culprit), interpreting this song in his very own & epic way. on the flip-side soulfooleds partner in crime and hannovers hottest dj, mario aureo who steps up to show us his ability to create a warm, trippingsong, perfectly fitting to early morning sets. light vocal toppings, willmake your trip through this simple, but effective track very special. mario definitely knows how to create a perfect djtune. deep house mastermind gorge, remixes marios >keep on waiting< in a more peak-time way, still remaining deep, the outstanding clubby groove will make you dance, dance ... dance!

christian smiths tronic label enjoyed a fantastic year in 2011, persistently receiving plaudits from the media, scene tastemakers and the record buying public for the labels consistently first-rate output that consisted of a genre-blurring mixture of tech house and progressive flavoured techno floor-smashing grooves. since meeting in berlin during summer of 2011, christian smith and florian meindl have stuck up a productive studio partnership. having released their first collaboration - desire - via meindls flash imprint in december, this subsequent ep for tronic sees the duo take their corporation a stage further with a two tracks of slightly left of centre yet unashamedly peak-time tech house. mothership leads off the ep with a distinctive retro-electro bassline that builds into the main hook via a series of peaks and drops before taking off into a tweaked crescendo of high-pitched tones. red alert opts for a subtler approach, creating its simple but effective groove from jacking percussion and wobbly synth stabs, which pulse throughout, morphing to distorting and echoing in the break.

fachwerk with their 3rd fachwerk ep with tracks by sasha rydell, mike dehnert and roman lindau. for this one mike dehnert gears up and drops some gritty and raw techno tracks. sasha and roman deliver great effective techno tracks aswell. some proper techno!

funckarma goes in league with onionboy (darko esser), both delivering a track of their own, and a remix of each others. funckarmas rusty w is lush electronics and heavy dubstep at the same time, effective & abstract dancefloor artillery! onionboys remix is a 100% old school electro track, solid as a rock and reminding a bit of old rude66 and satamile tracks. onionboys kokon is an electronic beauty that keeps building up.. tick layers of nostalgic synths over firm beats... magical! funckarma turn this track inside out with their typical and complex idm beat structures that can only be done by the funcken minds. another uncatagorizable shipwrec release, limited to 300 copies, full colour artwork and a download code to redeam all audiotracks and artwork in digital format.

after his sublime remix for hitsafes >let the acid out< on shaddocks first release, tin man makes a deadly return to shaddock records, delivering his most dancefloor oriented record to date. opening track >t_dd_t_rr_y< sees kicking beats with a genealogy harking back to finest chicago house, yet done with contagious feather-light energy of uk funky and a naughty bassline gliding perfectly between cheeky rave chords and their moody older brother. >s_mple_house< continues with this blindingly effective simplicity, dreamily muted chord stabs, rolling congas in ecstatic space over a warm round bass. on the flip on >aut_repeat<, crystalline synth shards coalesce in complex forms and continue in icey determination as the beat sneaks up underneath, propelling into an absolutely blistering workout. >djsn_k< rounds up on a perky high, an ebullient synthline with crunch and a punchy beat so frontal it might make you blush. rave bones akimbo – tin man steals the pure dance!

spank rock feat. big freedia - nasty remixes taken from the album:everything is boring & everyone is a f—ing liar (produced by boys noize) on the peak of the succesful wave of spank rocks sophomore effort, everything is boring and everyone is a fucking liar, boysnoize records proudly presents spank rocks latest single called nasty featuring the undisputed queen diva of bounce music - big freedia and hooked up by the lady herself tyette. nasty is the pure extraction of an eccentric and intimate bounce track twisted, filthy, party- and sexdriven, its bound to make even the grumpiest person dance like there is no tomorrow. this pearl of goodness comes in 2 different mixes by bnrs youngest discovery scntst, who turned the original track into a dark techno/dubstep hybrid giving you goose bumps. both, are clearly one of the best mixes done by scntst so far. also alex ridha was more than impressed and picked scntst voal-remix of his favorite rapper, just edited it and made this nasty tune even more effective!addison groove, also known as headhunter, of 50 weapons fame has graced us with two reworks of nasty. both expose his passion for experimental broken up sounds. he keeps it real by emphasizing the deep and heavy bass in the track. sebastian’s dtf dadt remix is a dirty dubstep gem, which we can already see fitting right in in underground clubs and big international venues. what a bonus!

this sampler is strictly limited to 300 copies... the future disco series has become the essential collection for anyone with a house and disco musical obsession. the fifth volume: downtown express takes us on yet another journey into all the current must own dancefloor cuts. the limited samplers have become highly sought after collectors items in their own right by taking key tracks from the albums and exclusively making them available on 12inch vinyl. we open up with moon boots off my mind on the a side which has been tearing up dancefloors all over the world for the past month with its infectious 80s groove and chopped up longing vocal. as we flip over onto the b side metromony need no introduction having been nominated for a mercury music award for their album the english riviera. album track corinne has been remixed by super producer mario basanov who has kept the songs structure intact but given the record a dancefloor vibe that will feel a natural choice for 4am. finally something happened is a huge looping disco cut reminiscent of the late nineties, pittos instrumental remix makes it unrelenting and very effective on the dancefloor with its big build ups and even bigger drop

supported by: luciano, soul clap, m.a.n.d.y., tiefschwarz, reboot, richie hawtin, robert owens, catz n dogz, audiofly, droog, the revenge, andre lodemann, jozif, butch, gorge, julietta, ray okpara. already known for his hit watamu beach on loco dices desolat imprint, sebbo certainly isnt unknown in electronic music scene anymore. this time he appears with his partner in crime mario da ragnio to release a fabulous deep groover entitled fourteen years. these guys definitely know how to combine modern elements of electronic music with a typical driving tech-house rhythm resulting in a magical tune made for all set-times. when talking about berlins electronic music scene,its very difficult not to mention smash tv aka holger zilske & kai preussner. known for their special kind of production, with releases on get physical or playhouse (holger zilske), they are now creating their very own interpre-tation of a deep house tune: chrystal moth. grooving, simple and effective. also on the flip-side, completing this deep soulfooled ep, label-partners superlounge bring another high class modern house tune, featuring jonny cruz, one again showing his skills on the microphone. the whisperer mirrors the typical deep superlounge style, modern vocals which will make you laugh and possible think about what jonny may or may not get up to in private. listen and enjoy!

with davidchristoph we have a fresh, fulminant dj battle, which stands for extravagant work behind the decks! feasting up to the point of ecstasy, dancing in great profusion and music that forces you to move your body, are just 3 maxims they act on. for patterns the boys show their diversity in styles, resulting in a more subttle techno style than you might know patterns for, but for sure this is an effective piece of vinyl! perfect dancefloor material.

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

the time has now come for eklektisch to unveil release number 006 and a debut from melohman & javi bora (20:20 / upon you). staying true to the label s ethos, the pair harnessed the warmth of the summer and with flurry of piano chords, created another feel good dancefloor anthem in >you love you<.
the first of the remixes sees label boss edu imbernon pay tribute to his summer on the white isle with his villaimberlove remix. a weighty kick drum, spritely key melody and fiercely plucked strings make for a more driving version of the original.
more upfront still, is the rework from uk house don steve mac. having spent enough time of his own in ibiza this summer and celebrated the release of his artist album >roots<, steve looks to inject a large dose of pace and tech-muscle, whilst bathing us in aggressive and effective synths.

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

nice price deal !!! the third, somewhat overdue, installment of andy blakes cave paintings series finally sees the light of day. all the cave paintings releases are one-take analogue excursions constructed by machines and recorded live in new cross gate and mastered for vinyl in hackney.3x is a close cousin of 2y.a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion.machine funk meets the locking crew for a warehouse showdown.3y heads into thus far uncharted territory. an evil, growling lfo driven bass underpins militaristic percussion thats slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death. heads down strobe-lit dancefloor action.

nazareths second 74 album >rampant< finds the group tempering the four-on-the-floor hard rock attack they developed on >loud and proud< by working a surprising and effective southern rock edge into the songs. the end result is an album that sounds like a early ac/dc meets lynyrd skynyrd at their hardest rocking. this gatefold sleeved, 180 grams audiophile edition of the album contains the b-side to the >love hurts< 7 inch single as a bonus. rock on!

two dogs in a house is steve summers and ron morelli (l.i.e.s) meanest project to date. rising from the delay saturated muck, pushing the red, straight forward and to the point with no time to waste, these brooklyn dogs started with a simple modus operandi as to make effective, psychedelic tracks that they would want to hear on a proper club system. and you do want to hear dogs anthem in a proper soundsystem. a fat one. rather than a decent follow up to their l.i.e.s. ep, this 12? is an statement by itself, sounding more experimental and raw ?if that?s possible than its predecessor. it evokes chicago, detroit, and industrial records equally, but do not get mixed up: this is a weapon designed to tear dancefloors apart! limited copies , hand numbered.

having played host to the first two daphni edits 12 inches, resista return with the label debut of one tom croose.
one half of ny duo worst friends, toms previous discographic output was a limited & stamped 7 inch that featured a killer edit of the macs >never going back again<. for resista no. 3 he delves into territories brazilian, with >cho chua<, a faultless rework of a certain tropicalista, designed for discerning dancefloors, circa ad 2011. he loops up the swinging guitar intro, which combined with the vocal hook makes for a heady mix. its an uplifting, joyous ode to all things tropical!
on the flip the >dukes dub< is a subtler more restrained version that makes greater use of effects and surprisingly brings the songs percussive elements to the fore... not quite as direct as its sibling on the a-side but definitely as effective!

the catalog of pink stallone & joey washington singles continues with the arguable gem of their collaborative sessions, mine. the second daniele b & eddie mars co-production, mine exhibits the steady progression of the stallone sludge-funk thump, again fueled by gushing maturity and composure from washington vocals. eddie mars even delivers his own stunningly-authentic production of the stallone/washington sound, marking the first official mars rendition of pink stallone since his inception as a producer and member of the live group. with this comes two workouts by master of the deep the revenge who provides a stripped back timeless dub. one of those tracks that will still sound great in twenty years time. simple and effective with a hint of grandeur. finally wrapping things up are s.a.s (subb-an & adam shelton). following the bumping foot & mouth release earlier this summer we had to ask the boys to give there twist and they sure delivered. acid base and full throttle beats transform >mine< into a jacking dancefloor destroyer, be warned!

a true product of torontos thrillingly cosmopolitan grooving pot, this chinese-italian duo is quickly earning a rep for crafting highly effective acid tracks with just a hint of banger. they initially earned notice with their first ep, >vaporizer<, on this is music, before making fans out of some big names with these tracks, with brodinski championing >body acid< and forcing turbos a&r vibetrust to perk up their unbelievably jaded ears.
if you arent sold on the ontario-buzz, then maybe you will pay attention to two awesome remixes by the bombest bulgarian, kink. the deep mix is a lush, throbbing body-rub, and the acid version is a highlight-reel of peak time mayhem, already caned and charted by erol alkan and tiga. if nothing else, >body acid< is a vital reminder that acid goes into your body. thats just the way it works.
stamped white label, limited to 169 copies!

the newborn label oasi lab entrusts his 3rd vinyl output >third way ep< to a pair of talented producers: andrea bigi and marius laurentiu that after the exit on prestigious bla bla records, monique musique, be real, microzoo, compose an elegant track but at the same time killer for all dance floors, their sound is fresh and full of magnetic charge and suitable for all situations, thats the confirmation that a new generation of producers is taking life. thickness of the remix of the famousproducer horatio (viva music, natural rhythm, quanticman, sleep is commercial) which transforms the song into a trip ofincredible old school taste but with twists of surreal and hypnotic sounds! pure dynamite for rave oriented sound lovers. in the same ep, madutec s debut in oasilab with his deep and dry sound incredibly effective if you require elegance and powerat the same time, track that makes the ep mark a new way of making music andconvey positive vibes.

there are still around, real environmentalists for whom the term preservation means more than just a trend. paul-david rollmann alias even-tuell belongs with his artistic productions (among other things, one of the creators of the enthusiast label workshop) to the class of those who answer the call for effective art, design and indulgence. the maxim is always the free will, emancipated from szperfluous market mechanics and the falsehoods of the zeitgeist. for musik krause, his activity is recorded on 2 releases. a split with metaboman and a formidable remix for ian simmonds adorn the catalog. with his quasi-first complete musik krause ep he shows a raw and coarse club music sound without losing even a breath of the aesthetic and compelled movement. all three pieces sound as if they were crafted from centuries old tools, in the way that his music is filtered through the machines humanizedm discharged in a kind of essential honesty.

two track ep from unknown source by and the artists formerly known as 19.454.18.5.25.5.18! fond of rae is a crazy monotone techno track as we havent heard before. so freaking hypnotic that you think you hear sounds and changes which are not there... or maybe they actually are!? relentless and banging with no mercy! skudge turns it into speed bomb and gets it functioning for most techno floors with their effective and classy remix style. limited release

let the show begin, this is the first episode for marc poppckes new baby crossfrontier audio. time to clean your musical mind, here we go… from house to trance, next to techno and back to house again. for sure this is no space for hand-me-down standards.
a1 – marc poppcke & max von valentiner – never go backimagine berlin, imagine sunrise, imagine the party you left some minutes ago… haha, i know what’s on your mind. and no, i don’t mean those cute summer open air venues your tourist guide talks about. it’s november and the berlin summer has gone. it’s cold, it’s foggy, the shafts of sunlight have to find their way… and yes, it’s fucking beautiful and so is the track.
a2 – lake people – tellap tacleipzig is calling. well known for his debut on kollektiv turmstrasses musik gewinnt freunde lake people impresses with his minimalistic trademark sound that dares to be melodic as well. great stuff for prime times and big rooms but keep away from pyro shows.
b1 – salvatore freda - invictionafter numerous great and ingenious releases on cadenza, liebe*detail, freerange and others, salvatore continues with another effective lesson in hypnosis and self-awareness. dont ask, dont tell, just see for yourself!
b2 – frieder blume – we play for love - frieder sounds like those worldly-wise professionals that definitely know there business. but in fact its his first track on vinyl and we all can imagine what this guy will sound like in a few years. we play for love builds and builds and builds and culminates in a climax… bam! rewind please…

md2 with the fourth release... well crafted effective techno tracks with that tight md2 sounds that makes you want to crank up the system to the max! no-onsense techno release that comes in limited supplies on red coloured vinyl!

its been two years since pawas gupta contributed an enchanting remix on sirions first vinyl release. constant communication and cooperation lead to this all in all accomplished project called >huis huis ep<. pawas productions start off smooth and impress with delightful elements and perpetual dynamic. the development of each track is rarely predictable. tempting the act of prolonged anticipation is a delicate one and leads further and further into remote realms. carried into the sec repetitive parts by finely tuned synth-boosts makes us realize the force briefly before being caught up in the hypnotic sounds again. propelling deep house with a pinch of funk and a touch of detroit - the classic yet brilliant pawas style! moon harbours chris lattner needs no long introductions. releases on nrk, einmaleins, fear of flying and luna records speak for themselves, are proof of a successful and active time. the dry yet truly ideal base frame for subtle but succinct modules for this remix is its effective substance. the static sub bass, fulminate and with an enormous thrust, is reminiscent of the miami bass age - virtuous modulations, the very complexion of mr lattner. he remains true to himself, we like!

after his debut on baby fords trelik imprint, ld nero graces pomelo with profound house rhythms - delivering a perfect record for the hot season. title track be the light features a very catchy hook over deep strings and sparse but effective rhythmic programing, achieving an ethereal summer tune, floating and hypnotic, but grounded in the low end, - effective like a lightning strike in a steamy summer storm. the flip features two extremely stripped down house grooves, reminiscent of mid nineties house á la maurizio, applying subtle changes and transitions for maximum effectiveness on the dancefloor. timeless and classic

2011 is going very well for shlomi aber, having started the year with his dj sneak collaboration on be as one, followed by his acclaimed double album-remixes pack on ovum which are still all over the charts and dj boxes. now shlomi is back on his own label and takes things into a summery mood with the opening track >coconuts<, which is built around an hypnotizing synth melody, and shlomis uplifting smooth drums . on the other side is >who said that<, a rare vocal cut from shlomi which is a proper groover on the floor, with its minimalistic architecture but effective elements, surely something that will be picked up by many

at last the albion vinyl sampler sees the light of day! we have waited far too long for this hotcake, but as they say >the best things come to those who wait<. we have pressed up four crazy disco gems here on the vinyl sampler. we start with >leslie< by the nevaboston team originally released in 1978 on a rare as rocking horse shit italian 7 inch albion gives it his subtle but effective treatment blending both parts together to create a new take on this killer piece of music (wait for the horns to drop for maximum dance floor devastation). oh and i nearly forgot to mention this is exclusive to the sampler never ever released norma jordans >feel me< also gets the albion snip and this delightful tracks begins with a quite a dark intro, mutating acid & disco until normas inviting voice comes to the front and absolutely smashes any dance floor into smithereens. once again it’s limited edition with no repress so buy now or cry later.

autoreply offshoot stuga musik picks up where it left off with another three tracks of deadly effective, club-friendly madness. having held a residency at berlins legendary bar 25 club and recording for high calibre labels such as district of corruption, thema and little helpers, the arrival of beaner to the stuga family is something to be celebrated. he serves up miles then mccoy, a nine minute epic that effortlessly fuses tight linear drum programming with freeform sound design and loose instrumentals that thunder along towards an exciting clima

roskas fourth release for rinse – the jackpot ep – is a 3-track 12 inch. leading with the club and radio hit jackpot, the ep snakes its way through roskas current production sound — minimal, effective and built with one purpose in mind... battering the dancefloor. containing six tracks tried and tested by roska on his busy dj schedule and firm favourites on his weekly rinse fm show, this ep is not to be missed.
support from zinc, brackles, bok bok, ma1, mary anne hobbs, untold, t.williams, toddla t, redlight, annie mac, scratcha dva, pearson sound and roska himself.

hardly strangers to the scene, daniel bortz & sascha silber give what could very well be the summer hit of 2011. the 2 track ep titled >color of love/fantasy< is incredibly effective in creating a smooth late summer feel, perfect for open air nights. straight kicks, crunchy snares, and pressed hi hats, a bassline bounces next to the deep kicks

italian techno heavyweights markantonio and rino cerrone finally name their collaborative ventures after ten years of gigs and productions together, and the name is junction hands. revolution is back is the first full release under the junction hands moniker, following a well received outing as part of the recent the napoli connection ep on adam beyers drumcode and it sees the two veterans deliver some of their strongest work yet. the title track is a pacey number with a reverb soaked yet warm atmosphere which underpins an aggressive, simple and incredibly effective bass/drum loop which gains intensity throughout. sharp sounds puncture the groove here there which keeps things interesting but its the discordant stabs in the break which push things into overdrive. the equally hypnotic and driving thing for hands follows but manages to do so with an increased feeling of woozy menace. synths feedback on themselves to shattering crescendos before subsiding into waves of noise while the groove relentlessly works its magic. with junction hands theres yet another must-check name coming out of the neapolitan scene.

2nd release of african calling which mule musiq focus the south african deep house scene. the brightest hope of south african deep house scene “infected soul” got two african tech house tracks. on a side, >ritual instict< is simple but effective track.if you like the production of argy or dennis ferrer,you will like this song. on b side, >monday rain< is more organic and african taste which remind culoe de song or mr raoul k.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

big with: nick curly, lee curtiss, solomun, d julz, squillace, anja schneider, a.collins, simon baker, ralph lawson, slam, catz n dogz... dynamic duo session victim bring their understated house funk to air london in >right from wrong<, an infectiously groovy track, effective in its simplicity and endowed with extra brawn in the remix courtesy of greek producer lemos. eschewing the boundaries that the world of house music often presents, hauke freer and matthias reiling aka session victim readily infuse their productions with elements of disco, soul, funk and even hip hop to ensure that they keep party lovers bouncing to their own brand of beat freakery.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

italian uprising artist frankyeffe is the one to continue the dark tradition on 43 recordings, and he does well just as he does on his every weeks residency on the traintek partys at romes rashomoon club playing alongside people like speedy j, edit select or sasha carassi and many more icons of real techno. he keeps things simple, but very effective, music which is nothing more or less than produced for causing riots during on the dancefloor peaktime. xhins remix on the flip is a really experimental apporach to the original, trcky rythms and he managed to create a totally new essence of the track. masterpiece of remixing, so dont be scared to try this on the dancefloor.

kari guðmundsson aka. hypno hits teal002 with two exciting pieces lying somewhere inbetween dubstep, house and garage. koko is a hypy swingtime-jam ready to make dancefloors go nuts. thrilling percussive variations, deep sub hits and nutty samples. the more soulful, yet experimental analies, draws on hypnos signature percussion. adding sampled vocals, effective kick-drum patternshifts, takes the listener off-guard! truly, a top shelf twelve! dj supporting include: ramadanman / pearson sound, blawan, hackman and dj donga.

although the damage music berlin label is still in its youth, the creative input is not holding its breath too long: after the success of the damage release dirty doering >loco remixes<, this issue presents a new 12ep that puts even more excellent and fresh urban breath into modern club music. first up is >whats the point?<, a collaboration with label chief alexander kowalski together with jake the rapper. by teaming up with jake the urban electronic guerilla, a cunning and highly-effective headbanging is produced, harvesting a moody and darkly infectious spoken text. >it all boils down< ... what unfolds here is an intense yet uncluttered soundtrack surrounding a mystifying message of sexually metapysical proportions crafted and totally engaging.
big with: nick warren, mihalis safras, pig & dan, peter horrevorts, chrisitan smith, joris voorn, cristian varela,..

this is third single cut from the debut album of mr raoul k “introducing my world . album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side, >japan japon< is a simple but effective african minimal house stuff and >the green thing< is raouls slow mo house stuff. b side >rainning love< is bit darker and more trancy than usual.

following the success of his debut ep, komisch is delighted to put out the next instalment from sp-x. like his first release, the three tracks on field lines never end capture the essence of contemporary techno - austere and functional, yet deeply resonating. field construction starts with crackle of a broken power cable accompanying brittle percussion and a juggernaut rhythm, before dank filters, distorted riffs and a combination of doubled up claps and hissing hats bring the track to an irresistibly dark climax. internalize follows a similar path, but straight away sp-x plots a more ominous course, with a muffled filter making way for jarring riffs, a grubby acid line and killer claps. last but certainly not least, flux is constructed using dense rhythms, deadweight, iron bar beats and a howling siren riff that sounds like it came from beyond. all the while, sp-xs rasping, firing percussion weaves in and out. these are deadly effective techno tracks, streamlined for use on big speakers - but dont take our word for it, try them out yourselves!

if it is about contemporary house music, there is no way of avoiding the northern djs & producers. first and foremost with roberto rodriguez aka manolo, who has shaped his personal funk infected old-school vibe over the last years and helped the house revive without forgetting from where it came from. his future beat investigators strictly followed the detroit heritage and his acid kings membership gave us lust for the roland tb 303 again. the bermuda project came back to cosmic again and had more than an impact on the nu disco styles. it is his pertinent mix of soulful, funky & functional dancefloor and his his effective productions who convinced the tastemakers worldwide and prepared his ground for top notch releases on labels like compost, 2020vision, freerange or delusions of grandeur and remixes for acts like yoko ono, tigerstripes, jay shepheard, the timewriter, marmion, crazy p, bellringers or vanessa daou. now the time has come for his own platform called serenades, featuring the manolesque ep - for those who like it deep, down & funky!

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

played by: richie hawtin, sis, robert dietz, laurent garnier, monika kruse, sasse, jimpster, motorcitysoul, brothers vibe, paco osuna... lets go for 2011! the third year of sonido records starts with with a special release - it is the first collaboration of the labelheads timos & paris liamis. the name says it: for the funky e.p. the track >for the funky< on catalogue number 11 is a funky groover with some very effective oldschool house and techno beats influenced by the early 90s. the track >hey hoe< is an extravagant sounding, funky dancefloor killer. it is produced in collaboration with the singer and songwriter julian smith from frankfurt. also the package includes a remix from the well known brontosaurus artists arto mwambé...... hoes lets get funky!

first on decks.de !!anton kubikov and maxim milyutenko duo scsi-9 is definitely one of the most popular and successful russian electronic projects. anton and maxim released a huge amount of amazing vinyl eps on such famous labels as force tracks, highgrade, trapez and of course their very own pro-tez records. but most of all scsi-9 is known by their highly acclaimed full length albums on legendary kompakt imprint. after their beautiful >tierra del fuego ep< (included gui boratto and pascal feos remixes and supported by john digweed, sander kleinenberg, dave seaman and funkagenda to name a few) for mike spirits highway records scsi-9 delivers simple but effective tech house masterpiece >smooth sunset<. completed with fantastic remixes by sergey sanchez & thierry tomas (moscow deep house in its finest), alexander pavlenko (ukrainian talent also known as sunchase) and oldschool flavour rework by french pioneer jack de marseille, >smooth sunset ep< will be a great weapon for djs and a true brilliant for all dance music lovers.

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.